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Документальный фильм «KON-TIKI II: утомленные ветром» стал:
Лауреатом Всероссийского Фестиваля документальных фильмов в области путешествий и туризма «Русский путешественник-2017» в номинации «Приключенческая Россия»
Лауреатом Московского международного кинофестиваля горных и приключенческих фильмов «Вертикаль» в номинации «Приключенческие фильмы»
Победителем XVIII Международного телекинофорума «Вместе»
Любой предмет можно увидеть, потрогать рукой, обозначить именем, наделить смыслом. Это легко! А как быть с умозрительными объектами? Например число пять, это что? Как его подержать в руке? Не в смысле пять яблок, а как число. А воображение - можно ли его потрогать? Это будет посложнее. Или вот, например, культура – это что? Как её увидеть? И, можно ли? А изучить ее закономерности сохранения или развития? Сложно!
Quite early on, I realized that to truly help a large number of patients, I needed to go beyond the individual approach and create a methodology. I recall the words of Edith Piaf, who said, "I don't sing for everyone—I sing for everyone." And yet, she sang for everyone. So it was for me—there was that inspiration, that moment when the idea of phenotypic dermatology first arose. It was from this moment that the path to a systemic view of the skin began—not as a surface, but as an entire biological universe.
The creation of fertile innovative ecological environment in the country is constrained by barriers of a conceptual nature. The article identifies four groups of such barriers. The authors propose a strategy for overcoming them based on a comparison of functions necessary for the innovative development of social practices and the natural mechanisms of a new life birth. This allows us to formulate a number of pragmatic recommendations for creating an innovative eco-environment for a wide range of industries. By analogy with natural dynamics of obstetrics, the approach is called placental
Keywords: Innovation, innovation infrastructure, acceleration, eco-environment, placenta, development.
The Himba tribe is one of the most colorful and unique peoples of Africa, living in northern Namibia, in the Kunene region, near the border with Angola. It is a mistake to assume that these people are wild. Many Himba have dual citizenship - Himba and Namibia (not many of us can boast passports from two countries :)), but they do not fully recognize Western laws. Their culture, way of life and appearance have remained virtually unchanged for centuries despite globalization. It is understandable that young people leave for the cities, but they also often return to their roots. And why? Let's try to figure it out together...
